Double Bill:

We regret that the Double Bill performance recently rescheduled for 7 May will not be able to take place on that date. At present, we have no definite alternative date. The Pollocks Trust and shop will have adjacent stalls at the Covent Garden May Fayre (back for the first time after 2019) on Sunday 8th May Do come along and enjoy the madness.

The supporters who booked on Eventbrite have been notified of the further delay. Please stay in touch.

We have other exciting news for the summer season. Pollocks is collaborating with Strawberry Hill House, Twickenham, on an exhibition Cardboard Gothic, featuring toy theatre plays, presented in a range of historic and modern theatres in Horace Walpole’s library. There will be associated events, including a performance of Harlequin Giant Helmet or the Castle of Otranto, based on Walpole’s original Gothic novel. Please check for further information. It is due to open to the public on Sunday 10th July.

We are also collaborating with Pickfords House Museum in Derby, where a major collection of toy theatres is being reawakened like the Sleeping Beauty. No dates as yet, but keep an eye on their website

A new book from Pollock’s Toy Museum Trust

Robert Louis Stevenson A Penny Plain and Twopence Coloured, edited with an introduction by David Powell.

The classic text on toy theatre by the world-famous writer, first published in 1884. David Powell’s detective work explains his choice of references and imagery, with which he recaptured his own boyhood experience of playing with toy theatres in Edinburgh. Copiously illustrated. More news coming soon …

‘There stands a shop, I fancy, to this day (but now how fallen!) a certain stationer’s shop at the corner of the wide thoroughfare that joins the city of my childhood with the sea. When, upon any Saturday, we made a party to behold the ships, we passed that corner; and since in those days I loved a ship as a man loves Burgundy or daybreak, this of itself had been enough to hallow it. But there was more than that. In the Leith Walk window, all the round, there stood displayed a theatre in working order, with a forest “set,” a “combat” and a few “robbers carousing: in the slides; and below and about, dearer tenfold to me! the plays themselves, those budgets of romance, lay tumbled one upon another.’

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Pollock’s lectures on toys and toy theatres 31 March 2021 to 19 May 2021

Alan Powers, It was Fifty Years Ago Today

Debby Brown, Miniature Furnishings – Dolls’ houses and shops

David Powell, A Penny Plain and Twopence Coloured: Robert Louis Stevenson and the Toy Theatre

Sarah Peasgood: From comic strips to fairy tales – an insight into the creative work of Sarah’s Paper Theatre’

Mary Clare Martin: Multicultural Toys

The lectures are now over, but you can watch recordings of all of them here:

Donations to Pollock’s Toy Museum Trust (Reg. Charity No.313622) are welcome 

Chris Pictures / Shutterstock

Lecture 1 Wednesday 31 March

Alan Powers It was fifty years ago today 

On 31 March 1971, Pollock’s Toy Museum held a Grand Opening Ceremony for the joining up of its two buildings on a quiet corner in Fitzrovia, where it has remained ever since as one of London’s quirkiest museums.

Alan Powers, who was there on the occasion to help in a performance of Blackbeard the Pirate, will explain how that event was the culmination of Marguerite Fawdry’s efforts to save the English toy theatre tradition and to give it context through a museum collection and display. Who was Benjamin Pollock of Hoxton? Why did this humble East End shopkeeper become a national legend? How did Pollock’s survive bombs and bankruptcy in the years between?

Alan Powers is a historian of art and architecture, devoted to toy theatres since the age of eight. He writes on art and design, curates exhibitions and teaches at the University of Kent while also serving as Chairman of the Pollock’s Toy Museum Trust since 1999.

Printed and hand-coloured dolls’ house front by John Redington, the father-in-law of Benjamin Pollock, c.1870

Lecture 2 Wednesday 14 April 

Debby Brown Miniature Furnishings – Dolls’ houses and shops

There is a fascination about miniature worlds, which captivates many of us as adults; but is part of all of our childhoods. From stylish Art Nouveau furniture to little chairs and tables, home made from corks, feathers, matchboxes and the remains of Sunday lunch, former curator Debby Brown invites you to peep behind the lace curtains of Pollock’s collection of dolls’ houses, rooms and shops into the past of parlours, domestic life, furnishings and household equipment.

Debby Brown discovered Pollocks one summer aged 14, and over half a century later is still there; fascinated by what our childhood toys tell about our own upbringings, and those of previous generations. She was Curator at Pollock’s for many years, and now a Trustee.                                                                                                                                                      ‘I’m keen to uncover and tell the hidden stories of our toys; their makers, and their young owners. My “day job” as a college art textiles teacher frequently crosses over with museum themes, and starting this summer I’m running the first of a series of practical workshop collaborations between the Museum and Morley College, making rag dolls inspired by Pollock’s folk toy collections.’

The shop in Antigua Street, Edinburgh, where Stevenson bought toy theatre plays

Lecture 3 Wednesday 28 April 

David Powell: A Penny Plain and Twopence Coloured: Robert Louis Stevenson and the Toy Theatre

The most famous piece of writing about toy theatres came from Robert Louis Stevenson in 1884, drawing on his boyhood passion for cardboard melodrama encountered in a shop window in Edinburgh. David Powell has read Stevenson’s text closely for a forthcoming publication, bringing to light his references to current events and the reasons why the author of Treasure Island and Kidnapped chose to celebrate Benjamin Pollock in particular.

David Powell is a Librarian and toy theatre enthusiast, Trustee of Pollock’s Toy Museum and lead author of  Printing the Toy Theatre (2009) and of the exhibition catalogues William West and the Regency Toy Theatre (2004) and William Webb and the Victorian Toy Theatre (2005)

Sarah Peasgood, Scene from Jorinda and Joringel

Lecture 4: Wednesday 12 May 

Sarah Peasgood: From comic strips to fairy tales – an insight into the creative work of Sarah’s Paper Theatre’

From the art of comic strips to the magic of fairy tales and historical music hall shows, this lecture provides a rare glimpse into the journey and performances of a modern-day creator of Paper Theatre. Sarah is among a handful of maker-performers of Paper & Toy theatre in the UK and specialises in live narration with atmospheric lighting and a musical soundtrack. Self-taught and driven by a love of theatre and the dramatic illusion that can be created on the miniature stage, she has now become a specialist of her craft with a robust repertoire of shows in a colourful contemporary style having honed her skills since first performing in 2008.  

Sarah Peasgood is Newsletter Editor and council member of the British Puppet & Model Theatre Guild, a Trustee of Pollock’s Toy Museum Trust and a member of the Hanau Paper Theatre Forum

Toys relating to religious belief, from Multi-Cultural Toys exhibition, 2013

Lecture 5: Wednesday 19 May 

Mary Clare Martin: Multicultural Toys

In June 2013, an exhibition on Multi-Cultural Toys was held at the University of Greenwich, co-ordinated by Dr Mary Clare Martin, Head of the Centre (now Cluster) for the Study of Play and Recreation. The Trustees of Pollock’s Toy Museum, of whom Mary Clare is one, collaborated with organisation and loans for the display.

The exhibition and its associated conference led on to further research and publication, using oral history interviews, filming and writing about play in international perspective, including sessions with schoolchildren of different ages on “What makes a good toy?”

This lecture will explore how toys and material objects for play, such as noise makers, dolls, construction toys, moving objects and natural objects, which have taken different formats throughout time and place, illustrate the exhibition themes of globalisation and sustainability in relation to the complex themes of multi-culturalism, exclusion and inclusion. Posted in posts

About us

Pollock’s Toy Museum Trust was founded in 1969 as a Registered Charity associated with Pollock’s Toy Museum. It has played a number of roles since that time in association with the family of the museum’s founder, Marguerite Fawdry, including helping to build up the collection through purchases and receiving donations from the public. The collection housed and displayed at the Museum at No.1 Scala Street, London, is split about 50/50 between items belonging to the Trust, and others owned by the Fawdry family.

In February 2021, Jack Fawdry launched a Kickstarter fundraising campaign to compensate for lost income over the past 12 months of the Covid-19 pandemic and to help with a relaunch when this becomes possible. We have worked closely with Jack on this appeal, and we look forward to helping to make positive changes at the museum in the future.

The Three Pollocks

If you are confused about the relationship between the Trust, Pollock’s in Scala Street (museum and shop) and Pollock’s Covent Garden (shop), this is the story. The museum is the original foundation from 1956, which was also a shop from the outset, based on the toy theatre stock of Benjamin Pollock Limited, a company that was formed in 1946 around the surviving stock of the original Benjamin Pollock of Hoxton Street.

As explained above, the Trust began over 50 years ago. Originally, it largely had a ‘behind the scenes’ role, but during the past 20 years it has mounted exhibitions and events, and published books, cards and reprints of historic toy theatre material.

Benjamin Pollock’s Toyshop in Covent Garden began in 1980 as a branch of the museum shop. After a few years, the manager, Peter Baldwin (a well-known actor and a toy theatre performer and collector) bought the business from Marguerite Fawdry. He was joined as a partner by Louise Heard, who now runs the shop at No.44 Covent Garden Market.

We all share a love of old toys and especially of the toy theatre where it all began, and want to keep this activity, with its own history and traditions, as a living legacy for children and enthusiasts. As Robert Louis Stevenson wrote, ‘If you love art, folly and the bright eyes of children, speed to Pollock’s.’


A cardboard theatre made out of a box, with a scene from the play Black E’yd Susan.